9 Colin Farrell Is Always Staring at the Corner of the Poster
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Colin Farrell is a man of many faces, and all of them seem oddly fascinated by the corners of his posters. Seriously, he’s covered all four corners by now, multiple times:
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“Nothing soothes my troubled soul like a 90 degree angle.”
It started innocently enough in the poster for 2001′s American Outlaws, with an understated corner-spotting pose he’d later break out again in 2010′s London Boulevard:
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This was followed by a couple of romantic roles where he was clearly way more into the corners than his supposed love interests:
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“They’re just not pointy enough. Not like you, corners.”
What is it that Colin Farrell finds so perplexing about corners? It’s like his characters in these posters are becoming self-aware, peering into the edges of reality, unable to comprehend a world in three dimensions.
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That or Farrell is constantly trying to remember where he left his keys.
Either way, after much deliberation, Farrell seems to have decided that the upper right corner was his favorite, and has spent much of his time staring dreamily into it (while continuing to neglect hot co-stars).
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“Oh, corner. Why can’t I quit you?”
